Steven Soderbergh: Making Great Movies in 100 Minutes or Less Since 1989
DIRECTOR: STEVEN SODERBERGH/2025
I’ve started 2025 thinking through a potent...
Best Picture Nominee Explores a Dark Chapter of Brazilian History
DIRECTOR: WALTER SALLES/2024
In 1970, the Paiva family films their home movies on t...
RaMell Ross Creates One of the Best of 2024 in First Narrative Feature
DIRECTOR: RAMELL ROSS/2024
Whatever justice is, it doesn’t look like Nickel Ac...
Ridley Scott Returns With Vengeance in One of the Best of 2024
DIRECTOR: RIDLEY SCOTT/2024
Is Ridley Scott our greatest living major director of batt...
Cynthia Erivo and Ariana Grande Invite Moviegoers Back to the Wonderful World of Oz
DIRECTOR: JON M. CHU/2024
The marketing campaign for Wicked: Part...
Tom Hardy's Antihero is Unmoored from Everything We've Seen Before
DIRECTOR: KELLY MARCEL/2024
To review Venom: The Last Dance, perhaps the best plac...
Andrew Garfield and Florence Pugh's Winsome Romance Breaks Down in One Ambiguous Scene
DIRECTOR: JOHN CROWLEY/2024
On paper, We Live in Time is exact...
Colleen Hoover's Best Seller Blooms Into a Worthy Big Screen Weepy
DIRECTOR: JUSTIN BALDONI/2024
It Ends With Us may not be high cinema, but it does ...
Taylor Blake has been hooked on film ever since she saw The Lion King in theaters at age two—initially on every stuffed Simba and Nala she could find, later on any great movie she could find. St. Louis Film Critics Association member. Follow her on Letterboxd.
