George Clooney and Julia Roberts Reunite for Easy, Breezy, and Beautifully Simple Romantic Comedy
DIRECTOR: OL PARKER/2022
What’s a girl to do when h...
Bale, Robbie, Russell, and Washington Fight for Love, Art, and Hope (in Semi-Historical Fashion)
DIRECTOR: DAVID O. RUSSELL/2022
If last week’s box o...
Cinema Nukes the Greed Decade With all Manner of Colorful Fare
My favorite part of this year’s Film Admissions theme is each month gives one of my colle...
Viola Davis Thrills in Action Epic for Fans of Wonder Woman and Black Panther
DIRECTOR: GINA PRINCE-BYTHEWOOD/2022
When Wonder Woman was released in ...
As Cinema Goes Corporate and Hollywood Flails, Rebellion and Rebirth are in the air
Looking back on the films of the 1970s from a five-decades-hence per...
The Predator Travels to the 18th Century (and Hulu) for More Kills and Thrills
DIRECTOR: DAN TRACHTENBERG/2022
Who is the predator and who is the pre...
New Tensions and Permissiveness Render Old Tropes Fresh and Volatile
“Did you ever dream about a place you never really recall being to before? A place ...
Despicable Me's Heroes are Back for More Monkey Business
DIRECTOR: KYLA BALDA, BRAD ABLESON (CO-DIRECTOR), JONATHAN DEL VAL (CO-DIRECTOR)/2022
“Who ...
Taylor Blake has been hooked on film ever since she saw The Lion King in theaters at age two—initially on every stuffed Simba and Nala she could find, later on any great movie she could find. St. Louis Film Critics Association member. Follow her on Letterboxd.
