The 1930's

Several years before Orson Welles went after media mogul William Randolph Hearst with Citizen Kane, the Wendel family- an affluent clan of New York real estate barons- became the target of 1934’s Double Door.  Film historian Tom Weaver describes the real-life Wendels (led by the spinster sisters Ella and Rebecca) to have been “…as weird as they were rich…. And they were very rich!”