Yolande Donlan

The many musical performances, both in-world and integrated, are good (particularly a tightly coordinated split screen number) and the music itself is even better.  Director/producer Val Guest, for all his potshots taken at the coffee shop “rebellion” of the youth set, does a formidable of depicting the budding scene and the neon-y, urban and modernized world surrounding it.  The film is never better than when the kids get to groovin’ on the dance floor.  It’s the newfangled widescreen frame a-hoppin’ and a-boppin’.  Clearly, the espresso- or, er, “expresso”- is freely flowing!